An old bent man paused from his work and watched them. “Lean more over him, missie,” he advised her. “That’s the way. Many a mile I’ve carried my lass like that, in flood time; and never felt her weight.” “Yes,” answered the girl. “The voice of weakness.”!

A middle-aged sergeant, who had a wound in the stomach and was sitting up in his bed, looked across. “There was a line of Germans came upon us,” he said, “at Bras. I thought I must be suffering from a nightmare when I saw them. They had thrown away their rifles and had all joined hands. They came dancing towards us just like a row of ballet girls. They were shrieking and laughing, and they never attempted to do anything. We just waited until they were close up and then shot them down. It was like killing a lot of kids who had come to have a game with us. The one I potted got his arms round me before he coughed himself out, calling me his ‘liebe Elsa,’ and wanting to kiss me. Lord! You can guess how the Boche ink-slingers spread themselves over that business: ‘Sonderbar! Colossal! Unvergessliche Helden.’ Poor devils!” Her father had wished her to go. Arthur’s death had stirred in him the old Puritan blood with its record of long battle for liberty of conscience. If war claimed to be master of a man’s soul, then the new warfare must be against war. He remembered the saying of a Frenchwoman who had been through the Franco-Prussian war. Joan, on her return from Paris some years before, had told him of her, repeating her words: “But, of course, it would not do to tell the truth,” the old lady had said, “or we should have our children growing up to hate war.”

“I’m very much run down,” she said. “I may have to go away.” “How does one know when one is serving God?” she asked after a pause, apparently rather of herself than of Joan. “It seems so difficult.” “But you’ll get out of that,” suggested Joan. “You’ve got the actress face.”